Skip to main content

Ireland's Brief Dance with Fascism



Fascism, a powerful force in the 1930s Europe, found little success in Ireland. This was surprising to some. Ireland, with its strong Catholic traditions and history of anti-British sentiment, seemed fertile ground for the far right. Yet Irish society, deeply marked by the struggle for independence, resisted this foreign ideology.

Irish nationalism, with its emphasis on self-reliance and social justice, clashed with the authoritarian core of fascism. The Catholic Church, a powerful force in Irish life, viewed fascism with suspicion. While sympathetic to some aspects of its social conservatism, the Church opposed its totalitarian tendencies.

Irish republicanism, the dominant current in Irish nationalism, also rejected fascism. Having fought hard for Irish independence, republicans were wary of any ideology that smacked of dictatorship. Despite these obstacles, two groups emerged in the 1930s, attempting to plant the flag of fascism on Irish soil. The first, the Blue Shirts, embraced the outward trappings of European fascism—the uniforms, the rallies, the cult of leadership. The second,

Ailtirí na hAiséirghe took a more intellectual approach, seeking to marry fascist principles with traditional Irish values. Their stories, though ultimately unsuccessful, offer a fascinating glimpse into a turbulent period in Irish history. Their existence, however fleeting, reminds us that even the most deeply held values can be challenged.

The Irish experience with fascism serves as a cautionary tale about the seductive power of extremism and the importance of vigilance in defending democratic ideals.

The Army Comrades Association, better known as the Blue Shirts, burst onto the Irish political scene in the early 1930s. Formed as a veterans' organisation, the ACA quickly transformed into a paramilitary group. This was a time of economic hardship and political polarisation in Ireland.

The newly elected Fianna Fáil government, led by Éamon de Valera, faced fierce opposition from supporters of the former government, Cumann na nGaedheal. The Blue Shirts, led by a former Garda commissioner, Ian O'Duffy, positioned themselves as defenders of law and order. They saw themselves as a bulwark against what they perceived as the socialist and republican threats posed by Fianna Fáil.

The Blue Shirts adopted the blue shirts and berets of Mussolini's black shirts, drawing clear inspiration from European fascism. Their rallies and marches, often marked by violence and intimidation, raised fears of a fascist takeover. The Blue Shirts' aggressive tactics, however, ultimately backfired. Their blatant imitation of continental fascism alienated many Irish people. The government, alarmed by the Blue Shirts' growing influence, moved swiftly to suppress them.

In 1933 the blue shirts were banned, their brief moment in the spotlight coming to an abrupt end.

The demise of the Blue Shirts did not mark the end of Ian O'Duffy's political ambitions. When the Spanish Civil War erupted in 1936, O'Duffy saw an opportunity to continue the fight against what he saw as the forces of communism. He formed the Irish Brigade, a volunteer force that fought alongside General Franco's nationalist faction in Spain,

Motivated by a mixture of anti-communism, Catholic zeal, and perhaps a yearning for past glories, O'Duffy's brigade attracted a diverse group of Irishmen. However, the brigade's experience in Spain proved to be disastrous. Poorly equipped and lacking military experience, the Irish brigade suffered heavy casualties and achieved little military success.

More damagingly, the brutality of the Spanish Civil War exposed the true nature of O'Duffy's ideology. The Irish Brigade's association with Franco's fascist regime tarnished its image back home. O'Duffy returned to Ireland a disillusioned and marginalised figure. The Spanish adventure had been a costly miscalculation, further discrediting fascism in the eyes of the Irish public.

While the Blue Shirts grabbed headlines with their paramilitary posturing, another group, Ailtirí na hAiséirghe, emerged, offering a more intellectual brand of Irish fascism. Founded in 1942 by Geroid Ó Chuinneagain, a former schoolteacher, Ailtirí na hAiséirghe rejected the overt militarism of the Blue Shirts. They sought instead to create a corporatist state based on Catholic social teaching and traditional Irish values.

O'Quinn again envisioned an Ireland free from both British influence and what he saw as the corrupting influences of modern liberalism. He advocated for a strong, centralised state that would control the economy, promote Irish language and culture, and uphold Catholic morality.

While Ailtirí na hAiséirghe shared some similarities with European fascism, its ideology was also uniquely Irish. It drew heavily on Catholic social thought and emphasised the revival of the Irish language and traditional culture.

Despite its intellectual pretensions, Áilteirín a Thaisséagaigh failed to gain widespread support. Its vision of a rigidly hierarchical and authoritarian Ireland held little appeal for a population that had fought hard for democratic freedoms. The party's association with fascism, even in its Irish guise, proved toxic.

By the early 1950s, Altyriaí na hAesirge had faded into obscurity, another failed experiment in transplanting a foreign ideology onto Irish soil. The Blue Shirts and Altyriaí na hAesirge, despite their different approaches, ultimately shared the same fate. They serve as a reminder that fascism, despite its fleeting appeal in certain quarters, remained a largely alien force in Irish political life.

Comments

Popular posts from this blog

Butterflies: Messengers of Irish Folklore

  According to Irish folklore, butterflies are said to move between worlds and bring messages and warnings. They are said to be souls, waiting to be reborn on earth. This is perhaps why butterflies still play such a prominent role in material culture today, with a wide range of clothes, stationary, and other good coming decorated with butterflies. Butterflies with dark wings were said to warn of bad news such as an attack or failed crop, while white and yellow butterflies were told to bring good news such as a birth or success. In Irish mythology and folklore, butterflies have a special significance. According to Irish tradition, butterflies are believed to move between worlds and bring messages and warnings. They are considered to be souls waiting to be reborn on earth. This belief has contributed to the continued popularity of butterflies in modern-day material culture. Butterflies can be seen on a wide range of clothes, stationery, and other goods. Interestingly, the colour of t...

Ouija Board

  The exact origin of the Ouija board is unknown. Objects similar to the Ouija board date as far back as 551 Bce to Ancient China where spirit boards were commonplace items used to communicate with the dead. It is claimed that Pythagoras used talking boards to enhance his studies and unearth revelations from the unseen world. Talking boards also have connections to Ancient Rome where two people used the Ouija board to predict the successor to the king. They were tried for treason and eventually hung and the claimed successor was immediately executed. In February, 1891, the first advertisements started appearing in newspapers.

Celtic Goddess Flidais

 Flidais is a fascinating figure in Irish mythology, renowned for her many roles and abilities as a goddess. As a Mother Earth figure, she is associated with abundance and fertility, particularly through her strong connection to milk and milking. During the Cattle Raid of Cooley, her magical herd of cattle was able to provide milk for an entire army every seven days, a testament to her power. However, Flidais was much more than just an Earth Goddess. She was also a shape-shifter, a goddess of sexuality, and a healing goddess, making her a multifaceted and complex figure in Irish mythology. As part of the Tuatha Dé Danaan, she was believed to have originated from the pre-Christian deities of Ireland. Although the Tuatha Dé were eventually transformed into mortal queens, kings, and heroes in the medieval Ulster Cycles, Flidais remains a powerful and intriguing goddess figure, revered for her many abilities and associations. Overall, she is a testament to the richness and depth of Iri...